The largest low relief sculpture in the world, the Confederate Memorial Carving, depicts three Confederate heroes of the Civil War, President Jefferson Davis and Generals Robert E. Lee and Thomas J. "Stonewall" Jackson. The entire carved surface measures three acres, larger than a football field. The carving of the three men towers 400 feet above the ground, measures 90 by 190 feet, and is recessed 42 feet into the mountain. The deepest point of the carving is at Lee's elbow, which is 12 feet to the mountain's surface.
In 1912, the carving existed only in the imagination of Mrs. C. Helen Plane, charter member of the United Daughters of the Confederacy (UDC). The Venable family, owners of the mountain, deeded the north face of the mountain to the UDC in 1916. The UDC was given 12 years to complete a sizable Civil War monument. Three sculptors worked on the carving during its creation. Gutzon Borglum was hired in 1915 as the carving consultant, and in 1916 he was appointed carving sculptor by the Stone Mountain Monumental Association. Borglum envisioned a carving with seven central figures accompanied by "an army of thousands." He was not able to begin work on the carving until 1923 due to funding problems and World War I.
After blasting away large portions of the mountain with dynamite, Borglum was able to complete the head of Lee on January 19, 1924. In 1925, a dispute arose between Borglum and the managing association. As a result of the conflict, Borglum left, taking all of his sketches and models with him. Borglum went on to carve the famous Mount Rushmore sculpture in South Dakota.
Augustus Lukeman, the second sculptor, resumed work on the project in 1925. Lukeman's carving included the three central figures of the Confederacy on horseback. He removed Borglum's work from the mountain and diligently worked with pneumatic drills, but by 1928 (the original deadline) only Lee's head was complete and funds were depleted. The Venable family reclaimed their property, and the massive granite mountain remained untouched for 36 years.
In 1958, the state of Georgia purchased the mountain and the surrounding land. The Georgia General Assembly created the Stone Mountain Memorial Association. In 1960, the Stone Mountain Confederate Memorial Advisory Committee was composed of six internationally known figures in the world of art. A competition was held, and nine world-renowned sculptors submitted designs for a new sculpture. In 1963, based upon recommendations by the Advisory Committee, the Stone Mountain Memorial Association chose Walker Kirkland Hancock of Gloucester, Massachusetts, to complete the carving. Work resumed in 1964, and a new technique utilizing thermo-jet torches was used to carve away the granite. Chief carver Roy Faulkner, a marine veteran with a talent for using the new thermo-jet torch, was able to remove tons of stone in one day. For over eight years Park guests could see and hear the workmen and their jet torches. The figures were completed with the detail of a fine painting. Eyebrows, fingers, buckles and even strands of hair were fine-carved with a small thermo-jet torch. The carving is actually much larger than it appears from Stone Mountain Park's attractions. Workers could easily stand on a horse's ear or inside a horse's mouth to escape a sudden rain shower. A dedication ceremony for the Confederate Memorial Carving was held on May 9, 1970. Finishing touches to the masterpiece were completed in 1972.
In approximately 1987, the mountain carving was brought to new life with laser technology. On many summer nights the mountain is home to the Lasershow Spectacular  which uses popular and classic music to entertain park guests with a large fireworks and laser light display. A highlight of the show comes when the mountain goes dark and lasers outline the carving and then complete it, bringing the men and horses "to life" on the mountain face. The show is a patriotic tribute to the southern United States and the country as a whole. The American Civil War is acknowledged, but the strength of a reunited country concludes the message. The show finishes with the men and horses returning to the carving area where the lasers fade, other lighting is raised and the carving itself is once again revealed for the masterpiece it is.
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